Posts Tagged ‘La Conquistadora’

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Final Jury Piece #3 Complete!

February 4, 2011

 

SCAS jury review 2011

copyright ©2011 Sean Wells y Delgado

It was a disastrously unproductive 2 weeks with sick kids, sick Gramma babysitter and snow days that turned into snow week.  But with a bit of support from family watching kids, I was able to wrap up my 3rd piece to submit for SCAS final jury!  I will head up to Santa Fe tomorrow with pieces in hand and stay over for an early morning delivery.  I was so excited when I finished it and saw the three pieces adjacent to one another.  It looked like the work produced by a single artist (my goal for this year) and I was very pleased with the trio as a set.

St Francis Retablo

copyright ©2011 Sean Wells y Delgado

SAINT FRANCIS  |  SAN FRANCISCO  For the final piece, I created a companion board to the La Conquistadora board and chose the Saint Francis imagery.  It is a large 12″ x 18″ board, so I was able to get into some entertaining details and textures.

I added some birds and framed him in trees to symbolize the tale of Saint Francis being swarmed by a variety of birds as he walked through the woods with his companions.  I included an owl to recall the giant owl my brother just encountered on a hike with my son. I typically include a stylized deer wrapping his legs, but decided to convert my deer into a wolf, after having heard tale of  how he saved a village from a killing wolf.  He befriended the wolf and convinced the town to feed the wolf.  In exchange, he asked the wolf not to harm the villagers or their livestock.

I sketched several iterations of the wolf, trying to capture ‘wolf’ and get away from ‘dog.’  I asked my two year old son if he liked the doggie in the painting.  I was so happy when he said (completely unprompted), “that not dog Mom, it wolf!”

The pattern in the leaves of the trees were inspired by illustrations from one of my kid’s vintage sleepy time books.  I had so much fun painting the leaves, I will surely be introducing more pattern fill and texture in future boards.

I chose to wrap the imagery of the leaves and tree trunk around the edge of the board.  I like the effect, but it is a more modern look, I believe.  And, it is not very enjoyable to paint on a curve!

Retablo St Francis detail

copyright ©2011 Sean Wells y Delgado

I feel myself getting more comfortable with predicting how the pigments and board will react to one another.  My brush strokes are getting more confident and I am loosening up.  I’m sorry I forgot to get a progress shot.  It was very cool at the color blocking stage.  I will be sure to get those shots in the future.

Anyway, no matter what happens with jury at this point, I feel I am putting my best foot forward and have represented my family’s name with honor.

TV EPISODE UPDATES:  Well, the weather started getting rough and the all the stations had some technical issues.  In short, both Santa Fe and Albuquerque will be rerunning this weeks episodes next week. I have updated the episode list to reflect the new air schedule.  Also, just a note, after we finish the Saint Rita episodes, we will start a Saint Francis board that will be based on this board!  We haven’t shot it yet, so if you have any thoughts on whether to put in a wolf or a deer, drop me a comment!

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La Conquistadora in Colcha

December 1, 2010
La Conquistadora 02

copyright © 2010 Sean Wells y Delgado

I just completed the second La Conquistadora retablo. She is shown in a colcha gown by Artist Julia Gomez, featured in the exhibit Threads of Devotion.  The cape is very moving in real life.  It is hand-embroidered using the traditional colcha stitch.  The base is a course, hand-woven wool cloth called “sabanilla,” with a texture like muslin.  I really wanted to capture the textures of the cloth so I used  sgraffito (technique scratching the top surface color to reveal the undercoat color) over the entire cloth area.  It came out very pleasing.  I will have to take a close-up.  The retablo measures 12″x18″ and is done in a mix of natural pigments, clays and watercolor.  I used a real blue to honor the colors of the original gown since Julia uses traditional dyes.  I may be using this as one of my Spanish Market entry submittals.  But, after the jury, it will be available for purchase at Jason’s Tintero Gallery.

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First Phase Screening for Spanish Market Passed!

November 4, 2010
La Conquistadora detail

©copyright 2010 Sean Wells y Delgado

I just received notice today that I have PASSED the first phase of screening for Spanish Market Artists 2011!  I am so excited to share my news.  Spanish Market is the annual show of premiere Spanish Colonial Artisans of the Southwest presented by the Spanish Colonial Arts Society held on the Plaza in Santa Fe, NM.  They maintain the highest standards of quality, craftsmanship and tradition and it is a true honor to have opportunity to participate in this show.  My brother has been a participant for many years now as a tinsmith.  His work is impeccable.  And we have always aspired to do this show together.

The Screening Process

There are two phases.  The first consists of submitting photos of three sample pieces.  The letter states “to ensure that your materials, techniques and subject matter fall within the general Guidelines for Spanish Market and that your work meets the minimum standards  for craftsmanship and artistry.”  I have passed this part of the review.  In the letter, they include some juror responses to guide the development of the work and I received some thoughtful positive comments that made me feel like they really spent some time reviewing the work.  One I particularly liked read, “Nice linear details.”

Alma de Maria (The Soul of Mary)

©copyright 2010 Sean Wells y Delgado

The second phase, which takes place sometime after the new year, requires submittals of actual examples of finished pieces.  As I understand it, this gives them an opportunity to inspect for craftsmanship and execution.

As the letter states, the the three pieces I submitted were juried anonymously.  I included the Alma de Maria retablo I completed at Juanito Jimenez’ retablo workshop, a Saint Francis that includes some simple carving and my first La Conquistadora (which became part of the banner image for this blog).  It is a larger retablo measuring 12″x18″.  I plan to do a whole series on her and will blog about them in a future post, I’m sure.  All three of these pieces were done using traditional techniques and earth clays or natural pigments, with the exception of the outlining.  I use a sepia watercolor.  I would like to replace it with a natural pigment, but have not found a suitable one yet and I like the softness and warmth of the brown over a harsher lamp black.

Saint Francis

©copyright 2010 Sean Wells y Delgado

I applied last year in a scramble and, although I liked the pieces I had submitted individually, I did not feel all that good about how I had represented myself, showing much older pieces with my newer work.  Disappointed, but not surprised at a rejection, I committed this past year to developing my style.  I thought finding a style would come from painting in large volumes.  Well, being a mother of two toddlers precludes quantity work.  I found that my confidence grew simply in developing my knowledge base.  I studied with two retablo artists. I read about the history of the Spanish Colonial arts as well as the traditions of the retablo artist (Santero).  I have familiarized myself with the work of other retablo artists.  I have been reading diligently about the lives of the Saints.  And, I have taken an active interest in the exhibits of the Spanish Colonial Arts Society Museum of Spanish Colonial Arts.  I can feel all of this information coming through me when I sit down now to produce.  But, there is so much more to learn.

La Conquistadora

©copyright 2010 Sean Wells y Delgado

Well, thank you all so much for your prayers and positive thoughts as I awaited the good news.  As I told a few of you, although I wanted to jury in for many reasons, I trusted there is a very exciting plan set in motion for me this year whether I get in or not.  I don’t know if this blog is the right forum to mention this, but last night I had a wonderful dream that my brother and I collaborated on a large image of Our Lady of Guadalupe.  The challenge in collaborating on a Guadalupe is that her image is traditionally oval and her flames want to be unbounded.  In the dream, I carve her flames and as they taper out, they become vines that swirl into flowers in the corners of the image.  The organic forms of the vines and flowers flow and fill the shape of the rectangle.  This allows my brother an inviting form to frame with a traditional classic frame.  His rosette stamp work reflects the corner flowers of the retablo.  It was a wonderfully satisfying dream.  I plan to make the board just as I have dreamt it.  I think the image in the dream is a gift from La Conquistadora, who has been shining on me lately.  Thank you, my Lady.